{"id":67523,"date":"2026-04-29T11:02:15","date_gmt":"2026-04-29T08:02:15","guid":{"rendered":"https:\/\/www.ifg.gr\/events\/egkainia-ekthesis-fotografias-strongyli-trapeza-elsa-mazeau\/"},"modified":"2026-04-29T15:14:35","modified_gmt":"2026-04-29T12:14:35","slug":"archipel-de-pierre-elsa-mazeau","status":"publish","type":"event","link":"https:\/\/www.ifg.gr\/fr\/events\/archipel-de-pierre-elsa-mazeau\/","title":{"rendered":"Vernissage d’exposition photo & table ronde | \u00ab Archipel de pierre \u00bb d’Elsa Mazeau"},"content":{"rendered":"

13.05.2026, 17h00 \u2502 VERNISSAGE DE L\u2019EXPOSITION \u00ab ARCHIPEL DE PIERRE \u00bb
\n\u00c9cole fran\u00e7aise d\u2019Ath\u00e8nes \u2013 Salle de conf\u00e9rences \u2013 6, rue Didotou<\/h3>\n

L\u2019exposition est issue d\u2019une immersion au long cours dans une carri\u00e8re de marbre \u00e0 Naxos, Archipel de pierre se construit au contact direct des carriers et des arch\u00e9ologues. Dans les \u0153uvres d\u2019Elsa MAZEAU<\/a>, le marbre, les outils et la poussi\u00e8re d\u00e9placent la carri\u00e8re, lieu d\u2019extraction, vers un espace de tension o\u00f9 se rejouent les conditions d\u2019apparition des formes antiques.<\/p>\n

Depuis trois ans, cette recherche engag\u00e9e en \u00c9gypte (Assouan, Karnak), se d\u00e9ploie entre carri\u00e8res, marbreries, sites arch\u00e9ologiques et espaces mus\u00e9aux (D\u00e9los, Mus\u00e9e national arch\u00e9ologique d\u2019Ath\u00e8nes, Mus\u00e9e d\u2019art cycladique, mus\u00e9e du Louvre). Son travail photographique s\u2019imprime sur les outils de la carri\u00e8re autant que sur le marbre naxien.<\/p>\n

Ces volumes photographiques permettent de conserver une corporalit\u00e9 et d’inscrire les gestes sur des mat\u00e9riaux naturels afin de r\u00e9activer l’espace v\u00e9cu du point de vue de l’exp\u00e9rience.<\/p>\n

\u00ab Elsa Mazeau aborde l’arch\u00e9ologie comme moyen de r\u00e9habiliter le vivant par une relation physique, \u00e0 la prise de vue et \u00e0 la physicalit\u00e9 des \u0153uvres \u00bb.<\/em>
\nJean-Paul Demoule<\/p>\n

Pi\u00e8ces pr\u00e9sent\u00e9es dans les jardins de l’\u00c9cole fran\u00e7aise d’Ath\u00e8nes<\/strong> : Transcription, \u03a7\u03b1\u0301\u03c1\u03b9\u03c4\u03b5\u03c2, Surface de pression, Souffle s\u00e9dimentaire, Partition<\/em>.
\nPi\u00e8ce pr\u00e9sent\u00e9e \u00e0 l’Institut fran\u00e7ais de Gr\u00e8ce<\/strong> : R\u00e9activation pigmentaire<\/em><\/p>\n

Dur\u00e9e de l\u2019exposition: 13 mai \u2013 30 septembre 2026
\nHeures d\u2019ouverture : Du lundi au vendredi : 10h00 \u2013 17h00
\nEntr\u00e9e libre<\/h3>\n
\n

13.05.2926, 19h00 \u2502 TABLE RONDE \u00ab UNE RESTAURATION DU PR\u00c9SENT \u00bb
\nInstitut fran\u00e7ais de Gr\u00e8ce \u2013 Auditorium Theo Angelopoulos \u2013 31, rue Sina<\/h3>\n

La table ronde initi\u00e9e par Elsa Mazeau se propose de prolonger ce dialogue pluridisciplinaire en confrontant les savoirs et les pratiques des participant\u00b7es, afin de contribuer \u00e0 la d\u00e9finition d\u2019une approche renouvel\u00e9e du geste restaurateur. Au-del\u00e0 des cadres institutionnels et scientifiques, elle vise \u00e0 ouvrir un espace d\u2019\u00e9change attentif aux savoirs pratiques, aux r\u00e9cits situ\u00e9s et aux exp\u00e9riences incarn\u00e9es. L\u2019objectif est d\u2019envisager la restauration non seulement comme un acte technique ou patrimonial, mais comme un processus collectif, fa\u00e7onn\u00e9 par des dimensions sensibles, artistiques, sociales, politiques, \u00e9cologiques et relationnelles.<\/p>\n

Avec :
\n\u2022 Jean-Paul DEMOULE<\/strong>, arch\u00e9ologue
\n\u2022 Giannis KARPONTINIS<\/strong>, directeur d\u2019une carri\u00e8re de marbre et doctorant
\n\u2022 Katerina KOSKINA<\/strong>, commissaire d\u2019exposition ind\u00e9pendante
\n\u2022 Panagiotis IOSSIF<\/strong>, directeur scientifique du Mus\u00e9e d\u2019art cycladique d\u2019Ath\u00e8nes
\n\u2022 Elsa MAZEAU<\/strong>, artiste et professeur \u00e0 l\u2019Ecole Sup\u00e9rieure d\u2019art et design des Pyr\u00e9n\u00e9es<\/p>\n

Entr\u00e9e libre \u2013 traduction simultan\u00e9e<\/h3>\n
\n

Elsa Mazeau (artiste)<\/h3>\n

\"\"
\nElsa Mazeau, image issue du documentaire \u00a9ADAGP<\/p>\n

Dipl\u00f4m\u00e9e de l\u2019\u00c9cole nationale des beaux-arts de Paris, des \u00e9coles d\u2019arts appliqu\u00e9s Estienne et Olivier de Serre, ainsi que de l\u2019Universit\u00e9 Paris 8, Elsa Mazeau a \u00e9galement \u00e9tudi\u00e9 \u00e0 la School of Visual Arts \u00e0 New York. Elle d\u00e9veloppe son travail au cours de r\u00e9sidences, notamment \u00e0 la DAAD \u00e0 Berlin, \u00e0 Yamanashi (Japon), au Centre photographique d’\u00eele de France, au laboratoire du CNRS (Institut Photonique d’Analyse Non-destructive Europ\u00e9enne des Mat\u00e9riaux du Anciens – synchroton soleil) ainsi que sur des chantiers de l\u2019Institut national de recherches arch\u00e9ologiques pr\u00e9ventives (Inrap). Ses \u0153uvres figurent dans des collections publiques et priv\u00e9es. Elles ont \u00e9t\u00e9 expos\u00e9es au Centre Pompidou, au Palais de Tokyo, aux centres d’art de la Chapelle Saint-Jacques, du Parvis, … \u00e0 la Biennale de Tirana, \u00e0 la galerie La Ruche \u00e0 Tokyo, au Mus\u00e9e des beaux-arts de Pau, \u00e0 l\u2019ELAC \u00e0 Lausanne,… Elle a \u00e9galement r\u00e9alis\u00e9 une commande publique du dispositif du \u00ab 1 % artistique \u00bb \u00e0 Pau.
\nSon travail photographique d\u00e9bute en 1993 aupr\u00e8s des Indiens Yanomami, en Amazonie br\u00e9silienne. En qu\u00eate d\u2019habitabilit\u00e9, et \u00e0 travers les gestes qu\u2019elle met en \u0153uvre, elle engage une pratique photographique performative visant \u00e0 mettre en commun l\u2019image.<\/p>\n

\n

Ce projet est labellis\u00e9 Bicentenaire de la Photographie<\/a> par le minist\u00e8re de la Culture et s\u2019inscrit dans la programmation officielle du Bicentenaire du 1er septembre 2026 au 30 septembre 2027.<\/em><\/p>\n

\"\"<\/p>\n

\"\"
\nSilhouettes op\u00e9ratoires Elsa Mazeau \u00a9 ADAGP<\/p>\n

\"\"
\n\"\"
\nSe\u0301dimentaire Elsa Mazeau \u00a9 ADAGP<\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019exposition (13 mai \u2013 30 septembre2026) est issue d\u2019un dialogue \u00e9troit avec les carriers, les habitant\u00b7es et les arch\u00e9ologues. <\/p>\n","protected":false},"author":18,"featured_media":67538,"template":"","tags":[1372,1369],"event_category":[873],"event_group":[],"class_list":["post-67523","event","type-event","status-publish","has-post-thumbnail","hentry","tag-photographie","tag-fotografia-fr","event_category-arts-visuels"],"acf":{"sponsors_default":false,"info_title":"","info_text":"","date_range":{"start":"13\/05\/2026","end":"","cancelled":false,"note":"","start_time":"","end_time":""},"details":{"location":"

\ud83d\udd3917h00 \u2502 VERNISSAGE DE L\u2019EXPOSITION \u00ab ARCHIPEL DE PIERRE \u00bb
\n\u00c9cole fran\u00e7aise d\u2019Ath\u00e8nes \u2013 Salle de conf\u00e9rences \u2013 6, rue Didotou<\/p>\n

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\nInstitut fran\u00e7ais de Gr\u00e8ce \u2013 Auditorium Theo Angelopoulos \u2013 31, rue Sina<\/p>\n","hyperlink1a":{"text":"","link":""},"price":"Entr\u00e9e libre","hyperlink2a":{"text":"","link":""},"online_event":false,"live_streaming":false,"live_streaming_code":"","facebook_url":"","hyperlink":{"text":"","link":""},"hyperlink2":{"text":"","link":""},"hyperlink3":{"text":"","link":""},"press_release":false},"featured_image_credits":"","home_slider_image":{"ID":67540,"id":67540,"title":"ARCHIPEL DE PIERRE_1300x768","filename":"ARCHIPEL-DE-PIERRE_1300x768-1.jpg","filesize":1171878,"url":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1.jpg","link":"https:\/\/www.ifg.gr\/fr\/events\/archipel-de-pierre-elsa-mazeau\/archipel-de-pierre_1300x768-2-2\/","alt":"","author":"18","description":"","caption":"","name":"archipel-de-pierre_1300x768-2-2","status":"inherit","uploaded_to":67523,"date":"2026-04-29 08:36:33","modified":"2026-04-29 08:36:33","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.ifg.gr\/wp-includes\/images\/media\/default.png","width":2167,"height":1280,"sizes":{"thumbnail":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1.jpg","thumbnail-width":150,"thumbnail-height":89,"medium":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1.jpg","medium-width":300,"medium-height":177,"medium_large":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-768x454.jpg","medium_large-width":640,"medium_large-height":378,"large":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1.jpg","large-width":640,"large-height":378,"1536x1536":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-1536x907.jpg","1536x1536-width":1536,"1536x1536-height":907,"2048x2048":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-2048x1210.jpg","2048x2048-width":2048,"2048x2048-height":1210,"full-width":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-1920x1134.jpg","full-width-width":1920,"full-width-height":1134,"sidebar":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-1693x1000.jpg","sidebar-width":1693,"sidebar-height":1000,"thumb-sm":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-220x130.jpg","thumb-sm-width":220,"thumb-sm-height":130,"thumb-square":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-500x500.jpg","thumb-square-width":500,"thumb-square-height":500,"thumb-big":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-600x400.jpg","thumb-big-width":600,"thumb-big-height":400,"slider-big":"https:\/\/www.ifg.gr\/wp-content\/uploads\/2026\/04\/ARCHIPEL-DE-PIERRE_1300x768-1-1315x768.jpg","slider-big-width":1315,"slider-big-height":768}},"sponsors_group":false,"layout":false},"yoast_head":"\nVernissage d'exposition photo & table ronde | \u00ab Archipel de pierre \u00bb d'Elsa Mazeau<\/title>\n<meta name=\"description\" content=\"L\u2019exposition (13 mai \u2013 30 septembre2026) est issue d\u2019un dialogue \u00e9troit avec les carriers, les habitant\u00b7es et les arch\u00e9ologues. 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